The exhibition Thank You For The Music examines music and pop culture, their various market mechanisms and the liberation from traditional copyright restrictions as a ubiquitous source of artistic inspiration - one that has become a global phenomenon and a permanent aspect of everyday experience. Saadane Afif, John Armleder, John Baldessari, Matthew Barney, Pash Buzari, Bruce Conner, Sean Dack, Walter Dahn, Jeremy Deller, Thomas Demand, Simon English, Cerith Wyn Evans, Sylvie Fleury, Liam Gillick, Douglas Gordon, Dan Graham, Andreas Gursky, Stefan Hirsig, Christian Holstad, David Lamelas, Arto Lindsay / Matthew Barney, Robert Mapplethorpe, Christian Marclay, Jonas Mekas,, Jonathan Monk, Simon Moretti, Paul Morrissey, Raymond Pettibon, Zbigniew Rogalski, Steven Shearer, Hedi Slimane, Frank Stella, Thaddeus Strode, Mika Taanila, Wolfgang Tillmans, Rirkrit Tiravanija, Essi Utriainen, Mayer Vaisman, Banks Violette As in other works by Thomas Demand, the ambiguity of what is depicted creates an almost ghostly presence, an effect that invites viewers to reflect on their own memories and desires. He uses traditional animation techniques to recreate everyday situations with a great deal of production effort or, as in the case of the two-minute film Pacific Sun (2012), a viral video showing the interior of a cruise ship caught in a storm. The resulting photographs are stage sets reflecting an unrealized legacy of postmodern architecture.ĭemand’s film work is ultimately a logical extension of his sculptural-photographic output. Another series known as the Model Studies draws its imagery from found architectural models, including those of American architect John Lautner, the Japanese architecture firm SANAA, and Austrian architect Hans Hollein. Demand thinks of these poetically condensed, laconic and often humorous everyday pictures as visual haikus. The images might show what appears to be a stubbed-out cigarette butt or a washing machine full of colored clothes. One example is his series The Dailies, for which the artist converted snapshots taken with his mobile phone camera into models and photographed them. They indelibly impress themselves on viewer’s psychological landscapes, where images of real experiences and media simulacra are continually fused.ĭemand has greatly expanded his practice in the course of his career. They are nothing more than phantom-like flashbacks that-with their empty spaces, erasures, and missing details-already have the visual quality of fading memories. And yet they fundamentally refuse to be appropriated by the usual narrative fictions of history. The cinematic perspective of these photos gives viewers the feeling of being right in the middle of these events. Many of the sculptures he has created and photographed are based on photographs showing peripheral scenes of consequential media events, such as the bathtub in which German politician Uwe Barschel was found dead in 1987 or the East German State Security Service office, which was stormed in 1990 following the collapse of the GDR. Instead, closer inspection reveals traces of pencil marks, remnants of adhesive tape, and creases in the paper, exposing these photographs as pictures of paper dummies.Ī great deal of Demand’s work could be characterized as an investigation of the visual unconscious of the media age. And yet the longer you look, the more the illusion is dispelled, a process heightened by the absence of any human presence and a characteristic lack of such representational details as brand names, lettering or surface textures. His feel for the essence of things, virtuosic mastery of the material and insight into the dramaturgical and atmospheric effects of light often make his works appear deceptively realistic at first glance. Demand sees himself first and foremost as a sculptor.
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Uproxx is an independent subsidiary of Warner Music Group. All orders are custom made and most ship worldwide within 24 hours. I dont know if this was purposeful, yet I think the first half of the album definitely shifts moe towards Futures aesthetics, as well as allowing Future to really dominate the track. T-shirts, posters, stickers, home decor, and more, designed and sold by independent artists around the world. Future & Lil Uzi Vert Pluto x Baby Pluto. Pluto X Baby Pluto is out now via Atlantic and Epic. High quality Lil Uzi Album Cover-inspired gifts and merchandise. You can listen to “That’s It” in the videos above. Pluto X Baby Pluto is both rappers’ second project of the year behind Future’s High Off Life and Lil Uzi Vert’s Eternal Atake In other instances of the video, Lil Uzi and Future head to a forest-like area where they stand side by side and boastfully fire off their bars. For the most part, it’s mainly the ladies kicking it on the soccer field while the two rappers spit their raps in front of the camera and occasionally join in on the game. The visual presents Lil Uzi and Future with a few select women as they all play a laid-back game of soccer. The project boasts 16 songs and was released alongside a video for their track, “That’s It.” Discover more music, concerts, videos, and pictures with the largest catalogue online at Last.fm. However, Future and Lil Uzi would come through for their fans with their Pluto X Baby Pluto joint album. Listen free to Future & Lil Uzi Vert Pluto x Baby Pluto (Stripes Like Burberry, Marni on Me and more). Soon after the duo released a pair of singles, “Over Your Head” and “Patek,” that at least fulfilled some part of their fan’s wishes. The visual ended up being for the Atlanta rapper’s “ Posted With Demons” video off his High Off Life album. With songs as infectious and as goofy as the smooth, midtempo trap blast "Drankin N Smokin," however, there are no complaints about how Pluto X Baby Pluto keeps the party going.Fans have been long awaiting a new project from Future and Lil Uzi Vert since earlier this year when the two rappers were spotted shooting a music video together. The album stays in one lane for the majority of its tracks, with only a few divergences from competitive flexing about wealth or sexual antics for more emotionally reflective tracks. Tunes like opening track "Stripes Like Burberry" and the slinking "That's It" are especially fun, with Future and Lil Uzi Vert sounding like they can't wait to take their turn on the mic to top the other's lyrical punch lines or unexpectedly rerouted flows. Production is handled by Zaytoven, DJ Esco, Wheezy, and many others, providing the two rappers with spacy trap instrumentals to trade bars over. The nearly hour-long album finds the two rappers playing off each other's talents and personalities, sticking to lyrical themes of sex, money, power, and decadence and relying on bass-booming trap beats. Interplanetary-minded Philadelphia rapper Lil Uzi Vert and Atlanta trap legend Future collaborated on a bouncy track on Future's 2020 album High Off Life and a few singles before teaming up for the full-length Pluto X Baby Pluto later in the year. |
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